When the Data hits the Fan!

The Balanced Value Impact Model (BVI Model) has been used and tested in many memory institutions since 2012. Here I publish the major modifications that make up BVI Model Version 2. The full Version 2 of the BVI Model will be published in my book: Delivering Impact with Digital Resources: Planning strategy in the attention economy due in 2019.

This is a guest blog by Professor Charles Oppenheim which details some intriguing calculations from the Elsevier copyright case against Sci-Hub . Important questions are posed, will someone from Elsevier be willing to answer them?

Book of the Dead of the Priest of Horus, Imhotep (Imuthes), ca. 332–200 B.C. The Metropolitan Museum of Art http://www.metmuseum.org/art/collection/search/551786 The recent final reports for the Academic Book of the Future are a revealing, well balanced account of the current and future state of scholarly monograph publishing in the UK. One feature is the close attention given to Open Access in books ( pages 175-195 in Michael Jubb's report ) . In this blog I want to unpack the consequences of Book Processing Charges in a Gold OA environment and how they would be utterly unsustainable in a future OA mandated REF environment.

Figure 1:  img_japanese04, Bridgestone Museum of Art, 17.146 px/in, 2016. Fujishima Takeji, 1867-1943, Black Fan, 1908-1909, Oil on canvas, 63.7 x 42.4 cm, Bridgestone Museum of Art, Tokyo. This digital surrogate is © Bridgestone Museum of Art. Open GLAM: The Rewards (and Some Risks) of Digital Sharing for the Public Good by Simon Tanner The research-led exhibition experiment Display at Your Own Risk provides an exciting opportunity to ask some fundamental questions regarding the behavioral gaps between ‘what we say’ and ‘what we do’ in regard to museum practice and with art/images. Sometimes this is driven, as the exhibition organizers point out, by the gap between institutional policies and public understanding. By selecting 100 digital surrogate images of public domain works for this exhibition and printing them to the underlying artwork’s original dimensions this exhibition poses some interesting questions.

The recent Nurse Review "Ensuring a Successful UK Research Endeavour" mentions "science" 94 times and the "arts" and/or "humanities" less than half a dozen times. That's not much for arts and humanities so here are all those mentions in full.