Showing posts from January, 2015

Tate launches world-wide access to unpublished archives of key British artists

Graham Sutherland, colour study, Tate Archive Tate has announced that intimate love letters from Paul Nash to his wife, touching family photographs of Jacob Epstein, unpublished images revealing Eduardo Paolozzi’s playful nature, 45 volumes of Barbara Hepworth’s sculpture records and correspondence from William Nicholson to his son Ben are among the first batch of items to be made available on Tate’s website for a world-wide audience as part of the Archives and Access project . The project draws on the world’s largest archive of British Art – the Tate Archive - and brings it together online with Tate's art collection, making this one of the richest and most comprehensive digital art and archival resources in Europe. It is generously supported by the Heritage Lottery Fund with a grant of £2 million.

Despair over Timbuktu Manuscripts as Funding Pulled

Manuscript image courtesy of UNESCO In January 2013 I reported on the war driven disaster in Mali that was putting at huge risk rare manuscripts in the Timbuktu region. I was thankful then to eventually find they had been secured and saved by the heroic efforts of the local people and the (partially South African funded) Ahmed Baba Institute. Now, at the end of 2014, South Africa is formally withdrawing its financial support by closing its Timbuktu trust fund and thus clearly putting those rare manuscripts back at risk. I despair.